From the newsletter: Education material for the Ubass
In this next issue of the newsletter I will finally let you try out a portion the educational material I’ve been working on for quite some time now.
These so called Lesson Packs is aiming towards different topics and since I haven’t been able to play with my right hand because of a hand injury (more in the newsletter) the first thing up is part of a lesson focusing on the hammer-on and pull-of techniques from a future Lesson Pack 3 ”Etudes and dexterity” lesson.
In the lesson you will be able to try out the interface. I will start by releasing these Lesson Packs in the iBooks format.
This format is available only via the AppStore/iBooksStore so iPhone, iPad and Mac users (Yosemite 10.10 and up) will be able to uses these.
To check ”the market” I have made a little survey trying to find out how many of you that have access to any of the above mentioned platforms. If demand is high, I might put time into transforming/developing versions of these lesson packs for other formats/platforms.
Please fill in this survey (will take 1-2 minutes tops!)
The first lesson pack to be released is Lesson Pack 1 ”Basic techniques”.
I’m still in the process of making the video portions of these lessons, and it takes a lot of time to get these right. Can’t yet let you know about an exact date for the release but my goal is the beginning of 2016.
In May I visited Brazil for the first time and met a lot of nice people including Henrique and Almir. Read more in this post.
Last week we met again…but now in my studio in Sweden! We started to jam and came up with some new music.
One of the things we played was built on two short bass parts (bass bits). It has a very loose form and one version turned out to be 13 minutes!
I used a Kala SUB with the new Kala Metal Round Wound strings. I went back and forth between a dry Ubass sound and a FX chain. This was the FX chain: Kala SUB Solid Body Ubass (with Kala round wound strings) > RMI Basswitch (the built in DI sends the signal to my Apollo Audio Interface) > In the parallel loop I used this chain: Boss OC-2 Octaver > Electro Harmonix BassBalls > Boss SYB-5 Bass Synth controlled by an Boss FV-500L Expression pedal. > Aguilar bass amp (Tone Hammer 500) and cab (SL-112). This time for monitor only.
Below is a link to a shorter version of the jam. (The whole song might be released in the future!)
Hope you like the music the cool sound of the Ubass and of course great playing by Henrique and Almir!
Henrique Alvim, guitar
Almir Cassio, drums
Magnus Sjoquist, Kala SUB
A while ago the amazingly talented Swedish duo, Good Harvest uploaded a video on their Facebook page.
I have followed Good Harvest for awhile and got to know them when they have played in Orebro, Sweden.
The song is called ”Ukulele man” and I thought… -I’m kind of a ukulele (bass)man! :)
I started to jam along and came up with a bass part and a vocal harmony part.
These parts were added to the Facebook video and the result sent to Good Harvest.
They liked it! :) I have already put it on my Facebook page but now it’s also on my YouTube-channel
We have talked about the possibility to record the song together in the future.
Would be very nice!
In the end of May 2015 I did my first ever trip to Brazil! I have been listening to Brazilian music since the early 90’s and have played Brazilian music for quite some time too. See previous posts with a Brazilian content: Post 1 | Post 2 | Post 3 | Post 4 | Post 5 | Post 6 | Post 7 |
Finally being able to travel to Brazil was a very big thing for me!
The main reason for this trip was to visit schools and find out ways to set up some kind of exchange program between the school where I work in Sweden and schools in the capital city of Brazil, Brasilia.
I had a really busy travel plan with several visits booked for almost everyday of the eight-day trip. These visits were to different schools with arts and music focus. I’ll try to write more about this later. We’ll see what happens with these ”might-be” exchanges. It’s interesting to see how it unfolds and evolves.
Besides these visits I also got to play some Music! With me on this trip was my colleague, Eva Stenström. We had prepared some songs we could perform on only bass and vocals. To make the travel easy I brought my spruce Kala Ubass and the new Phil Jones Bass ”Double Four” amp I just bought just before the trip. Traveling with this setup was very nice and I was able to get both the UBass and the amp into the cabin of each flight we did.
Me and Eva did a few workshops involving playing, different vocal techniques and I also did a short live looping workshop featuring the TC Electronic Ditto looper. If someone is interested in knowing more about live looping with the ubass (and other instruments) please let me know and I could make a series of posts on the subject! Send an email to firstname.lastname@example.org [Older post featuring Ubass and the ditto looper!]
We met a lot of really great musicians and teachers and students at all three schools we visited. A very big thanks for taking such good care of us. Extra big thanks to: Lucas at Escola de Musica, Henrique at Escola de Choro, Antenor and Alexei at University of Brasilia, William and Barbara for giving us a great tour of Brasilia!
Besides playing as a duo we also got joined bit different Brazilian musicians and also got the change to sit in on a concert and also do a ”club” gig with two great Brazilian musicians that will come to Sweden this fall. I hope we will be able make some more music together. Stay tuned!
There isn’t that many recorded videos from this trip but I will let you hear some music bits and pieces. See this video! There is also a gallery of photos from our workshops, concerts and some scenic ones too!
It was a great trip with lots of interesting meets with universal language of music as a great common ground! Thanks to everyone that made our first trip so fantastic!
Some links you check out!
Lucas de Campos, guitarist and professor at Escola de Musica One of his projects (Text in Portuguese)
If you follow playubass on Facebook you might have seen some posts about a recent tour I did in concert halls from the north to south of Sweden. The tour that started in October last year finished with a sold out show in the prestigious Berdwalldhallen, home of the Swediah Radio Symphonic Orchestra in Stockholm. All in all we played 18 shows.
On the first four shows I used my Bakithi Kumalo signature solid body for six of the 18 songs in the show that celebrated the life and music of Ted Gardestad. More about Ted and his brother in the sidebar! When the tour continued this spring I also added my spruce fretless. I used that on two of the six songs I played the Bakithi ubass.*
We recorded quite a few of the shows on multitrack and released a live CD in April.
At the moment this live CD is only available at our live shows.
I have made snippets of the songs that I played ubass on so you can hear how, in my opinion, beautifully the sound of the ubass sits in the overall sound of these songs.
I will probably make lessons based on these songs. Please let me know if there is any particular song you want me to do first!
Now let’s take a look and listen to the songs that feature bass parts played on a ubass.
Songs Chapeau Claque (Bakithi Kumolo Signature Solid Body Ubass) This song is so much fun to play. It really takes a while getting used to the combined meters thoughout the song! I used the solid body here relying on its warm and round sound!
Angela (Bakithi Kumolo Signature Solid Body Ubass) This song is a bit folky and I go ”full country” with a root-five motion in the verses! Since I didnt bring a P-bass [Fender Precision Bass] on the tour the solid body doubles as one. and does a very good job! [ In my Kala SUB vs. Kala California video I compare the California solid body and the SUB with a P-bass if you want to hear musical examples played on all these three instruments. ]
Äntligen på väg [Finally on our way] (Spruce fretless acoustic/electric Ubass) For the ”unplugged” feel of this song the acoustic/electric was a easy choice. It sounds perfect here and it also looks killer!
När showen är slut [When the show has ended] (Bakithi Kumolo Signature Solid Body Ubass) Once again I’m looking for a P-bass-ish sound.
Satellit [Satelite] (Bakithi Kumolo Signature Solid Body Ubass) This song is SO much easier to play on a ubass compared to a regular full scale electric bass! I also sing backup vocals on this one and the extended fingering I use makes it easy to focus on both bass part and vocal part since I don’t have to look at the Ubass during the choruses because I don’t need to do any position shifts. I first used this approach when we did concerts back in 2012 featuring this song. You can actually learn this song if you want. Check out this lesson: Part 1 | Part 2. Singing the chorus while playing the bass part is optional but a really good challenge! :) Read even more here!
Jag vill ha en egen måne [I want my own moon] (Spruce fretless acoustic/electric Ubass) For the encore I use the acoustic/electric again. It feels so good the let people have the ”sight memory” of this wonderful instrument in their minds as they leave the concert hall :)
Ted Gardestad and his brother Kenneth wrote a lot of wonderful music that I cherished by a lot of the Swedish population. The keyword for all the songs is LOVE. And the songs all have a warm felling about them, no harch words…The songs range from really happy ones to more deep sounding lyrics. The brothers recorded their own demos and wanted to play these for record companies. They ended up at Sweden music and Benny Andersson and Stikkan Andersson. The musicians and singers on the first albums are quite well known throughout the world. I only need to say one word any you will know who they were……ABBA!