New video! My version of a true classic – Summertime by George Gershwin

A short background to my version
The classic song is, as you probably know, from the opera Porgy and Bess, by George Gershwin. It was first performed in Boston in 1935 before it moved to Broadway, New York.

I was lucky to be a part of a short summary staging of the opera when I attended a music school in Sweden back in 1992. I had the role of Sportin’ Life and sang the song “There’s a boat that’s leavin’ soon for New York” and ”It ain’t necessarily so”. Sportin’ life was the drug dealer, and possessive lover of Bess the main character. Porgy the other main character wanted to rescue Bess from him…

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Twenty-six years later… I guess it’s about time to do another song from the classic opera
”Summertime”, by far, the most classic and recognizable song from Porgy and Bess. It has been performed by countless of musicians across the globe since 1935 and onwards.

My version is quite short. I present the melody twice, first instrumental with the melody played on my Kala California acoustic-electric fretless Ubass. Then sung and harmonized the second time around. All vocals by yours truly. 🙂

I decided to incorporate my fretting hand tapping plus plucking hand percussive technique that I have used from time to time since 2014.
It all started when playing in the country duo M&M’s Honky Tonk with the great friend and lovely guitar player, Marcus Måttgård. I wanted to add some percussive parts to mimic a drummer and experimented using the body of the Ubass as a percussive acoustic drum.

Recently I started to use a acoustic pickup by Ehrlund microphones to enhance these percussive sounds. Before playing with this technique only really worked in the studio, where I could use a separate mic to pick up the percussive sounds, or in a small intimate live setting where the audience is near the performance.
The pickup is blended with the built in piezo and this makes it possible to play bigger venues and the percussive parts can be heard alongside the tapped bass part. More about this in a later blog post!

Besides the core parts of bass line/percussion played and recorded live on a small dock by the lake Storsjön in Jämtland, Sweden I added vocals and, for the first time in any of my videos, ukulele parts!

I hope you will enjoy my version of the Gershwin classic!

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Annonser

UBass sightings – David Ranson with Sonny Landreth

David Ranson on ubass with Sonny Landreth

 

Hi everyone,

Great ubass playing in the blues zydeco genres of music can be heard on the 2017 live recording by Sonny Landereth called “Recorded live in Lafayette”
David Ranson has a beautiful tone and feel and this proves, yet again, that a ubass can fill so many “bass shoes” with fantastic results. This live recording is a great example thereof!

Links
https://mim.org/events/sonny-landreth/

https://www.allmusic.com/artist/david-ranson-mn0000782766/credits

https://open.spotify.com/album/4JskRMAo7ycx1lNMZb2ZZ8?si=u0c7NkzyQJq4u2b_-eEW5g

String Review of the Aquila Thunderblack

Aquila Thunderblack

There are now quite a few options for Ubassists when it comes to choose the right string for your preferred sound and playing style. Owen Holt invented the Road Toad Pahoehoe strings (made from polyurethane) to make the super short scale length of the ubass work. These are of course still the original ukulele bass string reference that many use and love.

The Italian string company Aquila Corde now offers three different ukulele bass strings.
Besides the Thundergut string that has been around since 2012 and the Thunder Reds since 2014 they also offer the Thunderblack.

The Thunderblack string has, in my opinion, more similarities to the original Thundergut than the Thunder Reds. I think they feel a bit less sticky then the original Thunderguts but the sound is pretty similar.

If you prefer the look of black strings but want a sound and feel similar to the Thundergut there’s now an alternative available.

In the video below I decided to record some of the same musical exemples used in the Thunder Reds review. This makes it easier to compare the different strings.

Past Reviews
Pahoehoe vs. Aquila Thundergut Part 1 | Part 2
Aquila Thunder Reds Review

Tech specs
Aquila Thunderblack strings
Kala spruce top fretless (2010)
RMI Basswitch IQ/DI in the 10 mOhm setting
Aguilar Tone hammer 500
Aguilar SL-112 cab
AKG C-414 mic
Universal Audio Apollo (upgraded with Thunderbolt card)
iMac with Logic X

 

New video! Eva Stenström Limited ”Allt under himmelens fäste”

Eva Stenström | Magnus Sjöquist | Daniel Björnmo

This song is a traditional folk tune from Gotland, Sweden. Eva and I started playing it as a duo on our trip to Brazil back in 2015. We wanted to bring some examples of traditional Swedish folk music on our trip. To make it work in a ubass and vocals setting I played the bass part through a delay pedal. I thought the extra rhythmic motion we got using this technique really helped us capture and deliver the haunting melody in a great way. I use a combination of arpeggios, chords and regular bass lines in my bass part.

In the trio version Daniel Björnmo adds an extra layer of color with his world class guitar playing. The added grit with close cluster like harmony through distortion pedals makes the song even more ethereal and haunting, I think. The ubass have some added modulation and octave up effects blended together with the delay.

This is a live in studio recording but we also added some percussion parts. I played some suspended cymbal swells.

You can also hear what we call ”the submersed gong”. This is a gong gong that we recorded as it is put under water after it is played. This bends the sound in a very nice way. I first heard this on records and live with one of my musician heroes, Indian percussionist, Trilok Gurtu.

We really hope you will enjoy our version of this Swedish’s folk song!

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For the best listening experience please listen to this song with good headphones or speakers that can reproduce a wide frequency spectrum!

 

 

 

NEWS FLASH! The playubass merch store opens TODAY! Purchase includes a song download for a limited time!

Yay, now you can look stylish with the official playubass merch!

Head over to the store and browse on. Besides the green hoody pictured you can find Men’s and Women’s Tees, Mugs and more…

For a limited time you will get a mp3 and video link to a not yet released song from my ”Speaking Ubass vol. 1 Jazz and Brazil” with your purchase!

Link to store: http://playubass.dizzyjam.com/

A tribute to one of my musical heroes: Steve Swallow

Steve Swallow
This is a little tribute to one of my musical heroes: Mr Steve Swallow. I have listened to his Music for quite some time and have always admired his unique approach to playing bass. In my version I play fingerstyle although Mr Swallow uses a pick. One of his most famous compositions are Falling Grace. You can find out more about him here!
There are videos on youtube with bass players playing solos performed by Swallow but not many (if any) playing one of his chord-bass parts. This one is transcribed from a John Scofield Trio version of the evergreen ”Someone to watch over me” (George and Ira Gershwin) from the musical ”Oh, Kay!”.

I heard this performance last year and decided to transcribe the part when he comps behind John Scofield during the the melody. I wanted to explore the voicings he used with his 5-sting bass tuned EADGC.

In the video I’m using my Kala California Custom Flame Maple solid body ubass. One of the first made using the ”exotic tops” back in 2012-2013. Please check out the new updated ones!

I decided to add the melody singing the Frank Sinatra version of the lyrics. I got some nice help with a great brushes and cymbals part too.

Magnus Sjöquist, kala solid body ubass (EADGC-tuning) and vocals
Mats Nyström, brushes and cymbals

I’m working on more ebooks in my Learn to play the ubass series and one of these will focus on playing chords on a ubass/bass.

Recording info

The ubass was recorded through my RMI Basswitch IQ/DI and then re-amped using a Radial X-amp. Se pic below. I used a combination of mics to capture the sound of the Phil Jones Double Four combo amp. Read more about the amp in my review.

 

 

Review: Phil Jones Bass Double Four – small but powerful combo amp for ubass and more

The PJB Double Four at a recent gig. A perfect small combo amp and monitor for ubass, electric and upright. The Ampeg combo in the pic is only used to elevate the Double Four. Behind the D4 is my Slickbag Double Gigbag. It is used to get some more bass response since there was about 50 cm to the rear glass wall.

Let’s take a look at the Phil Jones Double Four combo amp

Background
In 1987 I bought a new amp, a Gallien Krueger 200MB. I used this amp for a lot of different gigs sometimes with a extension cab but for most part as a standalone amp. The MB250 was a small combo amp that was a real breakthrough product back in 1987. Small but powerful and well built. I still have this amp! I have changed the speaker once since the surround of the original speaker dried and fell apart. However once you open the enclosure once it’s really hard to get it air-tight again. The construction is built upon a closed box to get the sound. I have used this amp mainly as a backup only for the last 8+ years. When I planned a trip to Brazil in 2015 the need for a new really small and travel friendly amp grew. I started to look around, getting different recommendations from friends and online searches, found the Phil Jones Double Four and decided to try it out.

Description
The Double Four is a 70 watt (all digital, pre- and power amp) with two four inch speakers (hence the name). It features a specially developed innovation called RALFR®, a special reflex port that greatly enhances the bass response. Besides basic amp controls there is an AUX-input (for your smartphone or more…) with a level control, headphone and Line out. You can use it in either a vertical or horizontal mode. Read more about the amp here.

Although the amp is all digital it sounds very warm and organic and brings out the core tone of everything I put through it, and it weighs in at only 4 kg! It is loud enough for rehearsals and smaller venues. More info below!

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Gig-stories
This little amp has been working hard for me. As I mentioned in the background the initial goal of the amp was to bring it with me to Brazil in 2015 when I visited the capital city Brasília to check out different music schools. I met a lot of wonderful and lovely people on the trip.

The amp was really a great companion to me and my Kala acoustic/electric ubass. I used the ubass with the amp on outdoor restaurant gigs, at a small pub and at the different schools me and my colleague visited, played concerts and held workshops at.

Please read more about the trip here!

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Back in Sweden I have used the small and powerful combo for a lot of rehearsals and small gigs. It has been a great way to always have a great sound wherever I go. The people I have played with have always been overwhelmed and surprised about the small amp with a big sound. It has worked well with ubasses, electric basses and upright bass. Although it’s small and “only” 70 watts i has even worked as the only amplification in acoustically big sounding rooms like stone churches together with guitar and vocals.

Studio recording

Sound examples

Let’s listen to some examples of how the Double Four sounds with ubass in different genres and situations.

Tango (See info above on how this was recorded!)

Acoustic Hiphop (Recorded with a single mic Zoom recorder)

Bossa Nova in Brazil

Recorded through the PJB Double Four

 

Recorded a a rehearsal with a Zoom H6

 

Iso-amp-box

This Summer I also made a ”iso-amp-box” for ”silent recording” with the Double Four.

I made this box for recording dates where I need to get a miked amp sound in the same room with other musicians. Very little sound is heard outside the box and not much sound will get into the box. It can be used for the actual recording or to get a great and organic headphone sound when tracking.

I will do a dedicated blog post about how that works (and sounds) later!

 

Amp-in-a-box-recording

 

Conclusion

If you’re looking for a small and ultra portable amp with a warm and natural sound you should definitely add the Phil Jones Double Four to you check-out-list. Playing my Kala Ubass with the PJB DoubleFour is a match made in heaven – a wonderful and small footprint with a big warm sound – a great combination for sure!