What’s in the first ebook-ePub ”Learn to play the ubass – Basic Techniques”? Lesson 4

One of the videos in Lesson 4 focus on the difference of Legato and Staccato playing

Lesson 4 –  combining plucking/picking and fretting hands (and a basic harmony lesson)

Q’s: I need to develop my technique to better sync my left and right hand. I also want to be more expressive and vary my tone/touch, note length and phrasing. Are there any exercises I can do to develop this?

The starting questions gives you a feel of what I will cover in this lesson.

After focusing on the plucking and fretting hand in two dedicated lessons it’s time to work one combining the techniques and work on getting it all to work together as a single unit.

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A little snippet of the word list. You can reach the word list by clicking on bold/highlighted words in the different lessons to get them explained. You can also browse the word list. This can help you vet a broader understanding how different words and phrases connect.
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Once you’re in the word list and have read the explanation of one word it’s possible to reach related words in the word list. This can further help you reach a better understanding on how the musical lingo connect!

Some musical lingo is introduced here, musical lingo is actually described all over the ebook and there’s even a dedicated interactive word list. This list is deeply integrated into the book. Highlighted words in the different lessons are clickable and explained. The word list is also searchable, connects a lot of related words and musical terms and let you browse the word list. When you’re done searching and browsing the word list the ebook remembers what you have been up to. It can easily return to where you were when you clicked that first highlighted word during your reading session, cool huh!

Staccato and legato is a big part of the lesson and these two Italian musical terms, and how to use them is, great to have in your musical vocabulary and playing toolbox.

There are exercises that focus on developing and working on these techniques with standard and tab notation as well as pictures and video.

Having a grasp of these techniques (and going in between) will land you a more expressive playing style that breaths and makes your bass parts stand out, building a steady but musical foundation all bass players need.

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End-of-Lesson-quizzes!

End-of-Lesson-questions are included. This is a great way for you to check what you have learned in the different lessons in the Lesson Pack.

More info about the Lesson Pack here!

Direct links

iTunes/iBooks Store 

Payhip (ePub)

– – –

My parents bought my first ubass at a music store in Honolulu, Hawaii while visiting the islands. I had not been able to try one beforehand. It only took me a very a few moments getting acquainted with the short scale length and rubbery strings. After that I have gotten more and more in love with the feel and sound of the ubass. Hope you have or will get the same feeling for these amazing instruments! Read more about my first encounter here!

https://playubass.com/2010/12/26/the-first-pictures-of-my-kala-ubass/

What’s in the first ebook-ePub ”Learn to play the ubass – Basic Techniques”? Lesson 3

Lesson 3 – basic fretting hand technique

Q’s: Should I use different approaches wether I play a fretless of fretted UBass?

How can I do warm-ups? Basic fretting techniques?

In Lesson 3 the focus is the fretting hand. From where and how to put your fingers on the fretboard to get the best sound to warm-up exercises and more.

With pictures and video examples.

In my videos there is almost always at least two angles including my ”players-view-angle”. That angle lets the player see a natural view of the fretboard and body of the ubass from above.

The ”players-view-angle” is, in my opinion, a great way to get the most out of learning techniques from a video.

Screenshot from a video in Lesson 3 including the ”players-view-angle”

More info about the Lesson Pack here!

Direct links

iTunes/iBooks Store 

Payhip (ePub)

– – –

My parents bought my first ubass at a music store in Honolulu, Hawaii while visiting the islands. I had not been able to try one beforehand. It only took me a very a few moments getting acquainted with the short scale length and rubbery strings. After that I have gotten more and more in love with the feel and sound of the ubass. Hope you have or will get the same feeling for these amazing instruments! Read more about my first encounter here!

https://playubass.com/2010/12/26/the-first-pictures-of-my-kala-ubass/

What’s in the first ebook-ePub ”Learn to play the ubass – Basic Techniques”? Lesson 2

Lesson 2 – basic plucking/picking hand technique

[EDIT: This post was supposed to go live last Sunday September 3rd…This means were one week behind my initial plan to release these series of blog posts every Sunday for four weeks…Sorry!]

Q’s: How can I get a nice round tone? Are there any differences playing with thumb, index- and/or the middle finger? Anchor your hand, fingers or arm? Dynamics?

Screen shot from Lesson 2 Picture gallery focusing on plucking techniques

In this lesson the focus is techniques for your plucking/picking hand. You might wonder why I have decided to call it plucking/picking hand…
The answer is simple, I want both left and right handed players to feel at home and welcome to use this ebook so I went for plucking/picking!

There are many ways to get the strings on a ubass to vibrate and make a sound.

In lesson 2 some of the most common ways are described. Besides showing how to play with your index/first and second finger with lots of pictures and video I also show how to get a warm and fat low end response playing with your thumb. I urge you to consider playing with your thumb even when the obvious choice would be your index/middle fingers. You might like the sound of your thumb even more!

This video let’s you see and hear differences in sound depending on the plucking technique you choose to use.

More info about the Lesson Pack here!

Direct links

iTunes/iBooks Store 

Payhip (ePub)

My parents bought my first ubass at a music store in Honolulu, Hawaii while visiting the islands. I had not been able to try one beforehand. It only took me a very a few moments getting acquainted with the short scale length and rubbery strings. After that I have gotten more and more in love with the feel and sound of the ubass. Hope you have or will get the same feeling for these amazing instruments! Read more about my first encounter here!

https://playubass.com/2010/12/26/the-first-pictures-of-my-kala-ubass/

What’s in the first ebook-ePub ”Learn to play the ubass – Basic Techniques”? First up: Lesson 1

In a series of four short blog posts I will write about the different lessons in my first Lesson Pack: ”Learn to play the Ubass – basic techniques” (One lesson at the time every Sunday for four weeks!)

First up…

Screen shot from Lesson 1 ”How to hold the ubass”



Lesson 1 – How to hold the Ubass

The first lesson gives you suggestions about different ways to hold the Ubass.

Since the body and over all length is so much shorter than a regular electric or acoustic bass guitar you really need to find a way to accommodate this.

In the lesson I go through different ways I hold the ubass. I have found out a couple of alternatives that can be nice to switch between or at least use as a starting point when you develop your own ”holding style”. I will let you know what has worked best for me and why.

Even though you have been playing regular bass for a long time I think this lesson will help you to get a good ”grip” on your ubass playing regarding how you can hold it to get the most out of your ubass music making!

Direct links

iTunes/iBooks Store 

Payhip (ePub)

Find out more here!

Stay tuned: Next Sunday [September 3rd] it’s time for ”Lesson 2 – basic plucking/picking hand technique”

 

Minutes after I got my hands on a ubass for the first time back in July 2010

 

– – –

My parents bought my first ubass at a music store in Honolulu, Hawaii while visiting the islands back in 2010. I had not been able to try one beforehand. It only took me a few moments to get acquainted with the short scale length and rubbery strings. After that I got more and more in love with the feel and sound of the ubass. Hope you have or will get the same feeling for these amazing instruments! Read more about my first encounter here!

Playubass at the 2017 Winter NAMM show in Anaheim, CA

Long overdue here’s finally a short travel log about my trip to the 2017 Winter NAMM Show in Anaheim, CA

I have been to a couple of music trade shows in Europe as a visitor but this was my first trip to the Winter NAMM show in Los Angeles. It was also the first time working closely with Kala. My main focus was to release and letting people know about my first Ebook/ePub in my Learn to play the Ubass series.
I started working on the ebook back in 2013 and it has slowly taken its form. The basic idea and the text was ready after about a year but working on how to present it, all the movies and the graphics and navigation took quite a while to finalize. You can read more about the Ebook/ePub and where to find it here.

After a +10 hour flight from Stockholm ARN I landed at LAX and took a bus to Anaheim where I met staff from Kala. I settled in and started to plan the next coming days.

I arrived on Monday, January 17 with the show starting on Thursday that week. I helped out a bit loading in some stuff and setting up the booth. The booth was fantastic with a really well throughout design that got a lot of compliments from many visitors and booth neighbors.

Load in and set up of the Kala Booth

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Once the show started I met a lot of great people, both visitors, other companies and press. Besides talking to some online magazines myself I was also fortunate to get help to set up some meetings and interviews both from Kala and other friends in the music business. It was, for example, crazy to see Nathan East being interviewed in the exact same spot a day before I got an interview from the same online community! 🙂

You can find the news coverage and interviews here.

I got a lot of new friends at the show and also managed to do quite a few nice jams with amazing musicians. Bakithi Kumalo, Miki Santamaria, Corey Fujimoto, Ariane Cap, was some of the musicians I got to play with. Great fun!

Booth and NAMM show pictures

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The Ubass got a lot of attention at this Winter NAMM show. 8 years after the first Kala Ubass was released its still a ”show stopper”! Many musicians, including lots of bass players of course, came by and was floored by the small footprint bass with the huge sound. It’s so great to see the happy smiles on the faces of the first time players


The California solid body Ubasses was revamped with slightly bigger and rounder bodies as one of the main differences. Check them out here.

I also got to try out the prototype Paddle Bass by Kala. A great one string bass for a quick and refreshing way into the wourld of bass playing! Link to Bass Musician Magazine article.

All in all my first NAMM show was a very nice experience. And although it’s quite exhausting being on the show floor with the intense sound and constant stream of people I hope to return and continue my ”IRL” networking across the pond as soon as possible!

A big thank you to all the staff at Kala and the wonderful Kala and Ubass artist I got to hang and work with!!!

– – –

I read a Kala Ubass review in Bass player magazine back in 2010. At the same time my parents happened to be on vacation and they helped me to buy my first ubass at a music store in Honolulu while visiting the islands of Hawaii. l had not been able to try one beforehand but it only took me a few minutes getting acquainted with the short scale length and rubbery strings. After that I have gotten more and more in love with the feel and sound of the ubass. Hope you have or will get the same feeling for these amazing instruments! Read more about my first encounter here!

How to read my ebook (ePub) on a PC (or MAC)!

Hi,

My first ebook was released on the iBooks Store in January and for PC/Android in April.

There is a great way to read the ebook if you have the ePub version (PC). Here’s a quick how to.

Loading the ePub into Readiator

Read ePub with Google Chrome on a PC with support for videos and word list

  1. Open Google Chrome (or download if you haven’t got it on your computer yet).
  2. Go http://www.google.com/chrome/webstore
  3. Search for Readiator
  4. Install
  5. Add ePub (drag to window or click + and navigate to Learn to play the Ubass – Basic Techniques) It will take a while to load!
  6. Click the icon to start reading. Videos should play and the word list will work.
  7. Your done, happy learning!

The Lesson links are not clickable in this version. I will remove these false links or try to make them work in the next update!

Although this method will work on a MAC (OSX) i do recommend using iBooks if you are a MAC or iPad/iPhone user!

Using Readiator to read ”Learn to play the UBass – Basic techniques”

The Chrome extension will even keep tabs on where you were last time you used Readiator.

 

You can find the different versions here:

ePub (interactive) (for Win/PC, Android)

eBook (interactive) (for OSX/iOS)

/Magnus

 

It is here: Learn to play the Ubass – Basic techniques. Get your copy now at the iBook store

Hi,
After three years in the making, I’m proud to announce that my first interactive ebook is live at the iBook store!

The ebook is packed with amazing features that make learning about the Ubass a new and exciting experience! I will go through these features in detail in a future blog post but for now, let’s have a quick look:

  • Picture gallery’s that enhances the reading experience
  • Multi-angle videos that show you how to get the best out of your Ubass playing
  • Highlighted words are clickable and explained in pop-ups or in the extensive word list. (I bet you can spend hours just  navigating the word list alone!)
  • End of lesson quizzes – check and see if you have understood the lesson you just worked with
  • Marking text and make notes – find something especially interesting? Mark the text/or make a note – these are collected and can be browsed and/or searched

Preview videos

Link to the iBook Store
Learn to Play the Ubass
by Magnus Sjöquist

Ubassists of the World – Abraham Laboriel

Abraham Laborial and me before the Open Hands concert in Sweden this past July
Abraham Laborial and me before the Open Hands concert in Sweden this past July

Hi,

One day in July I got the news that one of my bass heroes would come to Sweden for one gig. We are both Kala Ubass Endorsees (which is pretty amazing to start with) so I managed to hook up with him through the company. 

The meeting/concert was in the southern parts of Sweden and I traveled there with two of my Kala solid body ubasses. 

Who is Abraham Laboriel?

Some of you may know about him and some don’t so I’ll give you a brief background here.

Let’s start with some of the artists he has worked with as a session musician in Los Angeles:

Al JarreauGeorge BensonAlan SilvestriAlvaro Lopez and Res-Q BandAlvin SlaughterDon FelderAndraé CrouchAndy PrattAndy SummersBarbra StreisandBilly Cobham, Carlos Skinfill, Chris IsaakChristopher CrossCrystal LewisDave GrusinDjavanDolly PartonDon MoenDonald FagenElton JohnEngelbert HumperdinckFreddie HubbardHansonHerb AlpertHerbie HancockJohnny HallydayKeith GreenKelly WillardLalo SchifrinLarry CarltonLee RitenourLeo SayerLisa LoebMadonnaMichael JacksonNathan DavisPaul Jackson Jr.Paul SimonQuincy JonesRay CharlesRon KenolyRuss TaffStevie Wonder, and Umberto Tozzi.

Abraham Laboriel Sr. (born July 17, 1947) is a Mexican bassist who has played on over 4,000 recordings and soundtracks.[1] Guitar Player Magazine described him as ”the most widely used session bassist of our time”.[2][3] Laboriel is the father of drummer Abe Laboriel Jr. and of producer, songwriter, and film composer Mateo Laboriel.

Source: https://en.wikipedia.org/wiki/Abraham_Laboriel

Abraham trying out my Solid Body fretted 5-string tuned EADGC
Abraham trying out my Solid Body fretted 5-string tuned EADGC

 

Meeting Abraham was such a joy. He’s a wonderful, warm human being with such a big heart. Hearing/seeing him play live has knocked me every time. He is an ”all in” performer that really speaks to you from heart to heart. He has been in my musical life for quite some time. I told him about hearing/seeing him at concert in the mid 80’s and even in the town where I work now on a gig probably more then 10 years ago. 

We started talking and I showed him what I have done on my blog, video lessons and recordings. What was supposed to be an interview became a nice chat about music and life, almost as we had known each other since the mid 80’s…

I really hope we can meet again soon and continue of talk and I might even get around to ask him my prepared questions! 🙂

As I wrote earlier my two solid body’s were on the trip with me and I wanted to show Abraham these. You might have picked up that I have experimented with ”new” strings on these two 5-strings. (I will do a proper blog post about these tests soon!) Anyway, Abraham started playing on the fretted one, unamplified, and after a while I grabbed the fretless one and join in on the quiet jam. It sure was nice to get to play with one of my bass heroes!

Here’s a little snippet of that jam…

All the best to all ubassists out there,

Magnus

Some youtube videos featuring Abraham: