I just compiled my videos so they’re easy to find. You can watch my Youtube playlist (at the moment 72 videos) and access videos where I play Kala Solid Body Ubasses with EADGC tuning on the new VIDEOS page.
Besides this there is also a VIDEO LESSONS page for easy access to my free lessons.
My focus for this visit was to make some videos with the Kala video crew and also talk about Winter NAMM that was just around the corner. I brought my two custom solid body ubasses with the prototype E-A-D-G-C string sets. I did some videos with them alongside the new Kala Journeyman ubass and a 5-string California koa solid body ubass with regular B-E-A-D-G tuning.
Me and my wife really had a wonderful time in lovely Petaluma situated about an hour drive north of San Francisco. The town has a lovely downtown area and a beautiful countryside. We spent some time in the Helen Putnam Regional Park and caught a lovely sunset over the rolling green hills.
I also had the privilege visiting the home of Kala Brand Music president, Mike Upton, and we had a nice little jam in his living room!
Winter NAMM 2018
We flew down to Anaheim January 24 one day before the four day music trade show would start at the Anaheim Convention Center. From the NAMM.org homepage:
”The 2018 NAMM Show gathered the music, sound and event technology industries for the largest show in NAMM history, welcoming 115,000 registrants, more than 7,000 brands, exciting events and triple the industry education.” https://www.namm.org/
Pre-NAMM-day (January 24)
I went to pick up my name badge and got to see the wonderful Kala booth. It was a lot bigger then last year. Really spacious and beautiful with a genius and practical design!
Day 1 (January 25)
From the get go there was a steady stream of things happening. Musical highlights was standing a few feet away to one of my musical heroes, the fabulous organ player Joey DeFrancesco, when he played some super lovely organ jazz at the Visconti Organ booth. I told him about that lovely concert I heard him perform in Stockholm many years ago. YES!
He came to Stockholm in October. I saw the show with some friends. Did he have a bass player with him…no…was it still great… YES!!!
The evening was spent at the Bass Bash a special bass event, a great hang! The year before I brought a Kala Ubass there for the ”raffle”. This night I heard performances by Abe Laboriel (Open Hands) and the John Patitucci Guitar Quartet with the amazing Nate Smith on drums (Side note: In this video I play to loops from thelooploft.com played by Nate Smith!)
Laboriel and Patitucci both received Lifetime Achievement Awards from Yamaha this night!
Day 2 (January 26)
It was great to once again, if super brief, say hi to one of my mentors, Victor Wooten. I attended one of his camps outside Nashville back in 2011. Anthony Wellington was one of the many great instructors at the camp. Joe Craven was a guest at the camp. A super talented multi instrumentalist. So great to meet him again! Also got to meet Christian Fabian, a great bass player born in Sweden but now lives in NYC.
I also met some great musician friends! Please check out Ariane Cap she’s a great bass player and educator (I met her at that Wooten Camp back in 2011) I also met Sam Montooth a great singer, bass player, teacher based, as well as Ariane, in the LA area.
One of my Ubass ”papas” Bakithi Kumolo is always such a great hang. We had some nice talks and jams at the Kala booth. He performed at the Bass Bach on the second day of NAMM and almost played my solid body ubass! 🙂
I also met some new friends and they were also Bakithi admires!
Day 3 (January 27)
Some highlights this day was seeing good friends Ariane and Wolf. We had a nice little lunch away from the crazy show floor.
I got to meet Kala Ubass Artist Nik West. She had her signature ubass on display at the booth.
The duo Go West demoed at the booth. So did Corey, Andreas and myself.
I don’t have any pictures but have to mention the wonderful Jule amps the Jule Potter makes!
I would finally be able to meet Richard Mari Cocco Jr, (president) and Eric Cocco (vice president) for the great string maker LaBella
I got to meet great friend and ubass player Greg Gohde too! While walking outside after a long day we heard som crazy energic funky music performed by Kyotaro and Rikuo, a Japanese rhythm section duo. We closed out the day with some great food at the Disney Resort.
So it’s time for the final show day!
Bakithi came by the booth again so did bass player/actor Sekou Bunch. He did some great jams. I will probably share some of that later! Divinity Roxx, former musical director with Beyoncé, came by too.
The new Jorneyman ubass is one of three new ubasses in a new entry level line. These models are offered in fretted versions and will hopefully be available in fretless versions too later on. I played all three of these and they are a great addition to the existent line of ubasses. https://kalabrand.com/blogs/u-bass-news/namm-2018-new-u-bass-preview
This concludes my travelogue around this wonderful Ubass Adventure!
A short background to my version
The classic song is, as you probably know, from the opera Porgy and Bess, by George Gershwin. It was first performed in Boston in 1935 before it moved to Broadway, New York.
Twenty-six years later… I guess it’s about time to do another song from the classic opera ”Summertime”, by far, the most classic and recognizable song from Porgy and Bess. It has been performed by countless of musicians across the globe since 1935 and onwards.
My version is quite short. I present the melody twice, first instrumental with the melody played on my Kala California acoustic-electric fretless Ubass. Then sung and harmonized the second time around. All vocals by yours truly. 🙂
Recently I started to use a acoustic pickup by Ehrlund microphones to enhance these percussive sounds. Before playing with this technique only really worked in the studio, where I could use a separate mic to pick up the percussive sounds, or in a small intimate live setting where the audience is near the performance.
The pickup is blended with the built in piezo and this makes it possible to play bigger venues and the percussive parts can be heard alongside the tapped bass part. More about this in a later blog post!
Besides the core parts of bass line/percussion played and recorded live on a small dock by the lake Storsjön in Jämtland, Sweden I added vocals and, for the first time in any of my videos, ukulele parts!
I hope you will enjoy my version of the Gershwin classic!
This song is a traditional folk tune from Gotland, Sweden. Eva and I started playing it as a duo on our trip to Brazil back in 2015. We wanted to bring some examples of traditional Swedish folk music on our trip. To make it work in a ubass and vocals setting I played the bass part through a delay pedal. I thought the extra rhythmic motion we got using this technique really helped us capture and deliver the haunting melody in a great way. I use a combination of arpeggios, chords and regular bass lines in my bass part.
In the trio version Daniel Björnmo adds an extra layer of color with his world class guitar playing. The added grit with close cluster like harmony through distortion pedals makes the song even more ethereal and haunting, I think. The ubass have some added modulation and octave up effects blended together with the delay.
This is a live in studio recording but we also added some percussion parts. I played some suspended cymbal swells.
You can also hear what we call ”the submersed gong”. This is a gong gong that we recorded as it is put under water after it is played. This bends the sound in a very nice way. I first heard this on records and live with one of my musician heroes, Indian percussionist, Trilok Gurtu.
We really hope you will enjoy our version of this Swedish’s folk song!
For the best listening experience please listen to this song with good headphones or speakers that can reproduce a wide frequency spectrum!
Long overdue here’s finally a short travel log about my trip to the 2017 Winter NAMM Show in Anaheim, CA
I have been to a couple of music trade shows in Europe as a visitor but this was my first trip to the Winter NAMM show in Los Angeles. It was also the first time working closely with Kala. My main focus was to release and letting people know about my first Ebook/ePub in my Learn to play the Ubass series.
I started working on the ebook back in 2013 and it has slowly taken its form. The basic idea and the text was ready after about a year but working on how to present it, all the movies and the graphics and navigation took quite a while to finalize. You can read more about the Ebook/ePub and where to find it here.
After a +10 hour flight from Stockholm ARN I landed at LAX and took a bus to Anaheim where I met staff from Kala. I settled in and started to plan the next coming days.
I arrived on Monday, January 17 with the show starting on Thursday that week. I helped out a bit loading in some stuff and setting up the booth. The booth was fantastic with a really well throughout design that got a lot of compliments from many visitors and booth neighbors.
Load in and set up of the Kala Booth
Once the show started I met a lot of great people, both visitors, other companies and press. Besides talking to some online magazines myself I was also fortunate to get help to set up some meetings and interviews both from Kala and other friends in the music business. It was, for example, crazy to see Nathan East being interviewed in the exact same spot a day before I got an interview from the same online community! 🙂
You can find the news coverage and interviews here.
The Ubass got a lot of attention at this Winter NAMM show. 8 years after the first Kala Ubass was released its still a ”show stopper”! Many musicians, including lots of bass players of course, came by and was floored by the small footprint bass with the huge sound. It’s so great to see the happy smiles on the faces of the first time players
The California solid body Ubasses was revamped with slightly bigger and rounder bodies as one of the main differences. Check them out here.
I also got to try out the prototype Paddle Bass by Kala. A great one string bass for a quick and refreshing way into the wourld of bass playing! Link to Bass Musician Magazine article.
All in all my first NAMM show was a very nice experience. And although it’s quite exhausting being on the show floor with the intense sound and constant stream of people I hope to return and continue my ”IRL” networking across the pond as soon as possible!
A big thank you to all the staff at Kala and the wonderful Kala and Ubass artist I got to hang and work with!!!
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I read a Kala Ubass review in Bass player magazine back in 2010. At the same time my parents happened to be on vacation and they helped me to buy my first ubass at a music store in Honolulu while visiting the islands of Hawaii. l had not been able to try one beforehand but it only took me a few minutes getting acquainted with the short scale length and rubbery strings. After that I have gotten more and more in love with the feel and sound of the ubass. Hope you have or will get the same feeling for these amazing instruments! Read more about my first encounter here!
Ariane Cap, Michael League and me after Bash Bass 2017 during NAMM 2017
Discussing music with Mr League
The pictures above are from my trip to the NAMM show in Anaheim, CA back in January. I will do a featured blog post about the show but haven’t had the time to do that yet but it will come! So why are these pictures in this post about a ubass sighting? Well, Mr Michael League was one of several featured bass players at this years Bass Bash. He played with one of his bands FORQ. They played a great set and it was great to once again hear Michael play. I was at a show in Stockholm back in 2015 when he was there with his most famous band Snarky Puppy. I have featured Snarky Puppy before in a Ubass Sightings blog post.
This post will feature yet another of Michaels bands, Bokanté! This band has a really nice lineup with three guitar players, three percussion players, a pedal steel player and a lead vocalist…and a (u)bass player of course!
The word bokanté means “exchange” in Creole, the language of vocalist Malika Tirolien’s youth growing up on the Caribbean island of Guadeloupe. Now living in Montreal, she stands among 8 musicians from 4 continents, each one accomplished in their own right and well versed in music far beyond that of their point of origin. Two-time Grammy award-winning guitarists Michael League, Chris McQueen, and Bob Lanzetti (all from Snarky Puppy), percussion legend Jamey Haddad (Paul Simon, Sting), pedal and lap steel virtuoso Roosevelt Collier (Lee Boys, Karl Denson), and unplaceable percussionists André Ferrari (Väsen) and Keita Ogawa (Banda Magda, Yo-Yo Ma) come together to create a diverse ensemble rich in groove, melody, and soul.
In the song ”O La” you can hear and see that the low end is handled with a fretted acoustic/electric ubass with some help from the baritone guitar Michael is playing. He usually plays bass in his bands but in Bokanté he plays both bass/ubass and baritone guitar on the studio album ”Strange Circles” that will be released in June 2017. [Pre-order available here] On the live shows he will play the baritone guitar exclusively. He recently said in an interview for Scotts Bass Lessons that he wanted to have the chance to play with some of his favorite bass players. On the upcoming tours the bass chair will be filled by different bass players. See and read more here.
Please have a listen…and a look. I hope they will come to Sweden someday soon so I get to hear them live!
PS. One of the percussionists (André Ferrari) is from Sweden. He’s also featured in the video I referred to in the beginning of this post!
PS2 Please check out Ariane Cap (she’s in the picture at the top of the post) and the great book she has written about music theory with a bass player focus!
Some quotes about Bokanté:
“One of the more versatile groups on the planet right now”
“A barnstorming, groove-centric instrumental act with a rabid fan base… if the name doesn’t ring a bell, it’s probably just a matter of time”
-The New York Times
“Big, rich and funky.”
“Stands out with a furious commitment to defying musical categories.”
“Sounds like one spotless collection of intricate musics performed by just one very skilled, albeit extended, band.”
“Thinking person’s feel-good music.”
“A big, happy band of skilled musicians whose tunes are both complex and easy to dance to.”
The ebook is packed with amazing features that make learning about the Ubass a new and exciting experience! I will go through these features in detail in a future blog post but for now, let’s have a quick look:
Picture gallery’s that enhances the reading experience
Multi-angle videos that show you how to get the best out of your Ubass playing
Highlighted words are clickable and explained in pop-ups or in the extensive word list. (I bet you can spend hours just navigating the word list alone!)
End of lesson quizzes – check and see if you have understood the lesson you just worked with
Marking text and make notes – find something especially interesting? Mark the text/or make a note – these are collected and can be browsed and/or searched