Ubass sighting: Fretted acoustic/electric ubass spotted with Bokanté!

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Hi,

The pictures above are from my trip to the NAMM show in Anaheim, CA back in January. I will do a featured blog post about the show but haven’t had the time to do that yet but it will come! So why are these pictures in this post about a ubass sighting? Well, Mr Michael League was one of several featured bass players at this years Bass Bash. He played with one of his bands FORQ. They played a great set and it was great to once again hear Michael play. I was at a show in Stockholm back in 2015 when he was there with his most famous band Snarky Puppy. I have featured Snarky Puppy before in a Ubass Sightings blog post.

This post will feature yet another of Michaels bands, Bokanté! This band has a really nice lineup with three guitar players, three percussion players, a pedal steel player and a lead vocalist…and a (u)bass player of course!

Here’s som info about the group from musicworksinternational.com

The word bokanté means “exchange” in Creole, the language of vocalist Malika Tirolien’s youth growing up on the Caribbean island of Guadeloupe. Now living in Montreal, she stands among 8 musicians from 4 continents, each one accomplished in their own right and well versed in music far beyond that of their point of origin. Two-time Grammy award-winning guitarists Michael League, Chris McQueen, and Bob Lanzetti (all from Snarky Puppy), percussion legend Jamey Haddad (Paul Simon, Sting), pedal and lap steel virtuoso Roosevelt Collier (Lee Boys, Karl Denson), and unplaceable percussionists André Ferrari (Väsen) and Keita Ogawa (Banda Magda, Yo-Yo Ma) come together to create a diverse ensemble rich in groove, melody, and soul.

In the song ”O La” you can hear and see that the low end is handled with a fretted acoustic/electric ubass with some help from the baritone guitar Michael is playing. He usually plays bass in his bands but in Bokanté he plays both bass/ubass and baritone guitar on the studio album ”Strange Circles” that will be released in June 2017. [Pre-order available here] On the live shows he will play the baritone guitar exclusively. He recently said in an interview for Scotts Bass Lessons that he wanted to have the chance to play with some of his favorite bass players. On the upcoming tours the bass chair will be filled by different bass players. See and read more here.

Please have a listen…and a look. I hope they will come to Sweden someday soon so I get to hear them live!

PS. One of the percussionists (André Ferrari) is from Sweden. He’s also featured in the video I referred to in the beginning of this post!

PS2 Please check out Ariane Cap (she’s in the picture at the top of the post) and the great book she has written about music theory with a bass player focus!

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Some quotes about Bokanté:

“One of the more versatile groups on the planet right now”

-Rolling Stone

“A barnstorming, groove-centric instrumental act with a rabid fan base… if the name doesn’t ring a bell, it’s probably just a matter of time”

-The New York Times

“Big, rich and funky.”

NPR Music

“Stands out with a furious commitment to defying musical categories.”

-LA Times

“Sounds like one spotless collection of intricate musics performed by just one very skilled, albeit extended, band.”

Yahoo Music

“Thinking person’s feel-good music.”

-Downbeat

“A big, happy band of skilled musicians whose tunes are both complex and easy to dance to.”

-LA Weekly

Re-blogged: Ubass News from Kala via uBass Appreciation Society

The good news that now there’s a new source of uBass information you can sign up for. The newest entry is from none other than Kala themselves. They’ve been sending out an Ukulele-centric newsletter for years. Now they’ve decided to do a uBass-centric newsletter as well. Really, Kala? Just kidding. We welcome the […]

via There’s Good News. And Bad News. — uBass Appreciation Society

Review: Gruvgear Gigblade for Baritone Ukulele/Ubass

Hi,

I have been using products from Gruvgear since 2013 with a focus on their FretWraps. The FretWraps makes it possible to dampen open strings when playing a higher register or simply want to get rid of unwanted string/fret noise. Here’s a video showing some ways I have used the FretWraps with Ubass.

The company has a lot of different products that focuses on transporting your gear to and from gigs and/or rehearsals.

In this review, I will focus on their quite new Gigblade model for Ukulele. The model that fits a acoustic/electric Ubass is called the Ukulele Gigblade, available in two sizes, small (soprano, concert) and big (tenor, baritone and ubass).

The design is made to be carried on the side. Why you might ask? I think the main reason is that you can use it together with a regular backpack.

Most traditional gigbags are designed to be worn like a backpack, the Ukulele Gigblade is not. The design is made to be carried on the side. Why you might ask? I think the main reason is that you can use it together with a regular backpack. I have a Gruvgear Club Bag. They compliment each other perfectly and make it possible to get both hands free so I can carry even more in one go! (See pictures in the gallery below). (I will do a review of the ClubBag in a later blog post!) You can also quite easily have a regular gigbag (ubass or full size electric bass) on your back and then the Gigblade on the side!

Back to the Gigblade. The design is well thought out, zippers and padding have a very nice quality and the overall feel is very robust. Besides the big compartment for the actual Ubass there is a pocket in the ”lid”, for straps, a cord of maybe a tablet.

What about the top pocket? It is a design thing and really makes the gigbag stand out from the rest of the crowd! It works best if you don’t pack this pocket too heavy since the weight distribution will be a bit strange if you do. (The acoustic/electric Ubass is quite light as you know!)

It is also possible to fit a solid body ubass (or TWO!) in the Gigblade

It is also possible to fit a solid body ubass (or TWO!) in the Gigblade. I managed to fit two 5-string solid body ubasses in the case. By removing the foam bar and using a towel (or something similar) as a wall in-between the ubasses it workes out really nice!

Please check these gigbags out. They are great options to consider for protecting and lugging your precious ubass around!

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Link to Gruvgear / Gigblade

Different options for ubass cases and gigbags can be found here!

Video lesson 10- now for everyone!

Learn-to-play-visa-fran-utanmyra

 

Hi,

Last summer i released a video where I performed a version of a classic Swedish folk song, ”Visa från Utanmyra”. I also released a video lesson but it was only available for my newsletter subscribers. It’s now available for everyone! Have fun playing this great and beautiful melody and bass part!

Link to Video lesson page!

Lesson video

Performance video

 

It is here: Learn to play the Ubass – Basic techniques. Get your copy now at the iBook store

Hi,
After three years in the making, I’m proud to announce that my first interactive ebook is live at the iBook store!

The ebook is packed with amazing features that make learning about the Ubass a new and exciting experience! I will go through these features in detail in a future blog post but for now, let’s have a quick look:

  • Picture gallery’s that enhances the reading experience
  • Multi-angle videos that show you how to get the best out of your Ubass playing
  • Highlighted words are clickable and explained in pop-ups or in the extensive word list. (I bet you can spend hours just  navigating the word list alone!)
  • End of lesson quizzes – check and see if you have understood the lesson you just worked with
  • Marking text and make notes – find something especially interesting? Mark the text/or make a note – these are collected and can be browsed and/or searched

Preview videos

Link to the iBook Store
Learn to Play the Ubass
by Magnus Sjöquist

Ubassists of the World – Abraham Laboriel

Abraham Laborial and me before the Open Hands concert in Sweden this past July
Abraham Laborial and me before the Open Hands concert in Sweden this past July

Hi,

One day in July I got the news that one of my bass heroes would come to Sweden for one gig. We are both Kala Ubass Endorsees (which is pretty amazing to start with) so I managed to hook up with him through the company. 

The meeting/concert was in the southern parts of Sweden and I traveled there with two of my Kala solid body ubasses. 

Who is Abraham Laboriel?

Some of you may know about him and some don’t so I’ll give you a brief background here.

Let’s start with some of the artists he has worked with as a session musician in Los Angeles:

Al JarreauGeorge BensonAlan SilvestriAlvaro Lopez and Res-Q BandAlvin SlaughterDon FelderAndraé CrouchAndy PrattAndy SummersBarbra StreisandBilly Cobham, Carlos Skinfill, Chris IsaakChristopher CrossCrystal LewisDave GrusinDjavanDolly PartonDon MoenDonald FagenElton JohnEngelbert HumperdinckFreddie HubbardHansonHerb AlpertHerbie HancockJohnny HallydayKeith GreenKelly WillardLalo SchifrinLarry CarltonLee RitenourLeo SayerLisa LoebMadonnaMichael JacksonNathan DavisPaul Jackson Jr.Paul SimonQuincy JonesRay CharlesRon KenolyRuss TaffStevie Wonder, and Umberto Tozzi.

Abraham Laboriel Sr. (born July 17, 1947) is a Mexican bassist who has played on over 4,000 recordings and soundtracks.[1] Guitar Player Magazine described him as ”the most widely used session bassist of our time”.[2][3] Laboriel is the father of drummer Abe Laboriel Jr. and of producer, songwriter, and film composer Mateo Laboriel.

Source: https://en.wikipedia.org/wiki/Abraham_Laboriel

Abraham trying out my Solid Body fretted 5-string tuned EADGC
Abraham trying out my Solid Body fretted 5-string tuned EADGC

 

Meeting Abraham was such a joy. He’s a wonderful, warm human being with such a big heart. Hearing/seeing him play live has knocked me every time. He is an ”all in” performer that really speaks to you from heart to heart. He has been in my musical life for quite some time. I told him about hearing/seeing him at concert in the mid 80’s and even in the town where I work now on a gig probably more then 10 years ago. 

We started talking and I showed him what I have done on my blog, video lessons and recordings. What was supposed to be an interview became a nice chat about music and life, almost as we had known each other since the mid 80’s…

I really hope we can meet again soon and continue of talk and I might even get around to ask him my prepared questions! 🙂

As I wrote earlier my two solid body’s were on the trip with me and I wanted to show Abraham these. You might have picked up that I have experimented with ”new” strings on these two 5-strings. (I will do a proper blog post about these tests soon!) Anyway, Abraham started playing on the fretted one, unamplified, and after a while I grabbed the fretless one and join in on the quiet jam. It sure was nice to get to play with one of my bass heroes!

Here’s a little snippet of that jam…

All the best to all ubassists out there,

Magnus

Some youtube videos featuring Abraham: