New Single Out Today!

First release by Nilsson – Sjöquist Duo!
In this first release, by the Swedish based Nilsson – Sjöquist Duo, we want to show our love for the music of Brazil and this time we feature a Sivuca song!

We play an arrangement by Tommy Nilsson of the song ”Cada Um Torce Como Pode” made famous by Sivuca.

Both Tommy Nilsson and Magnus Sjöqust have been playing in different groups and projects for many years.

The duo format is nice because it gives us a lot of space to express ourselves through our instruments, the accordion and the bass.


Side note: In the recording I used my trusty fretless Kala spruce acoustic/electric ubass. However in the accompanying video you’ll see my new fretless Kala California acoustic-electric ubass!

Quick links to some of the places you can find the song:

cdbaby

Spotify

Amazon

GooglePlay

Tommy is also featured in the latest single release ”Jag vet att vi ses snart igen (Manha de Carnaval)” Link to info about that release!

Playubass at the 2017 Winter NAMM show in Anaheim, CA

Long overdue here’s finally a short travel log about my trip to the 2017 Winter NAMM Show in Anaheim, CA

I have been to a couple of music trade shows in Europe as a visitor but this was my first trip to the Winter NAMM show in Los Angeles. It was also the first time working closely with Kala. My main focus was to release and letting people know about my first Ebook/ePub in my Learn to play the Ubass series.
I started working on the ebook back in 2013 and it has slowly taken its form. The basic idea and the text was ready after about a year but working on how to present it, all the movies and the graphics and navigation took quite a while to finalize. You can read more about the Ebook/ePub and where to find it here.

After a +10 hour flight from Stockholm ARN I landed at LAX and took a bus to Anaheim where I met staff from Kala. I settled in and started to plan the next coming days.

I arrived on Monday, January 17 with the show starting on Thursday that week. I helped out a bit loading in some stuff and setting up the booth. The booth was fantastic with a really well throughout design that got a lot of compliments from many visitors and booth neighbors.

Load in and set up of the Kala Booth

Detta bildspel kräver JavaScript.

Once the show started I met a lot of great people, both visitors, other companies and press. Besides talking to some online magazines myself I was also fortunate to get help to set up some meetings and interviews both from Kala and other friends in the music business. It was, for example, crazy to see Nathan East being interviewed in the exact same spot a day before I got an interview from the same online community! 🙂

You can find the news coverage and interviews here.

I got a lot of new friends at the show and also managed to do quite a few nice jams with amazing musicians. Bakithi Kumalo, Miki Santamaria, Corey Fujimoto, Ariane Cap, was some of the musicians I got to play with. Great fun!

Booth and NAMM show pictures

Detta bildspel kräver JavaScript.

The Ubass got a lot of attention at this Winter NAMM show. 8 years after the first Kala Ubass was released its still a ”show stopper”! Many musicians, including lots of bass players of course, came by and was floored by the small footprint bass with the huge sound. It’s so great to see the happy smiles on the faces of the first time players


The California solid body Ubasses was revamped with slightly bigger and rounder bodies as one of the main differences. Check them out here.

I also got to try out the prototype Paddle Bass by Kala. A great one string bass for a quick and refreshing way into the wourld of bass playing! Link to Bass Musician Magazine article.

All in all my first NAMM show was a very nice experience. And although it’s quite exhausting being on the show floor with the intense sound and constant stream of people I hope to return and continue my ”IRL” networking across the pond as soon as possible!

A big thank you to all the staff at Kala and the wonderful Kala and Ubass artist I got to hang and work with!!!

– – –

I read a Kala Ubass review in Bass player magazine back in 2010. At the same time my parents happened to be on vacation and they helped me to buy my first ubass at a music store in Honolulu while visiting the islands of Hawaii. l had not been able to try one beforehand but it only took me a few minutes getting acquainted with the short scale length and rubbery strings. After that I have gotten more and more in love with the feel and sound of the ubass. Hope you have or will get the same feeling for these amazing instruments! Read more about my first encounter here!

Ubass sighting: Fretted acoustic/electric ubass spotted with Bokanté!

A

Hi,

The pictures above are from my trip to the NAMM show in Anaheim, CA back in January. I will do a featured blog post about the show but haven’t had the time to do that yet but it will come! So why are these pictures in this post about a ubass sighting? Well, Mr Michael League was one of several featured bass players at this years Bass Bash. He played with one of his bands FORQ. They played a great set and it was great to once again hear Michael play. I was at a show in Stockholm back in 2015 when he was there with his most famous band Snarky Puppy. I have featured Snarky Puppy before in a Ubass Sightings blog post.

This post will feature yet another of Michaels bands, Bokanté! This band has a really nice lineup with three guitar players, three percussion players, a pedal steel player and a lead vocalist…and a (u)bass player of course!

Here’s som info about the group from musicworksinternational.com

The word bokanté means “exchange” in Creole, the language of vocalist Malika Tirolien’s youth growing up on the Caribbean island of Guadeloupe. Now living in Montreal, she stands among 8 musicians from 4 continents, each one accomplished in their own right and well versed in music far beyond that of their point of origin. Two-time Grammy award-winning guitarists Michael League, Chris McQueen, and Bob Lanzetti (all from Snarky Puppy), percussion legend Jamey Haddad (Paul Simon, Sting), pedal and lap steel virtuoso Roosevelt Collier (Lee Boys, Karl Denson), and unplaceable percussionists André Ferrari (Väsen) and Keita Ogawa (Banda Magda, Yo-Yo Ma) come together to create a diverse ensemble rich in groove, melody, and soul.

In the song ”O La” you can hear and see that the low end is handled with a fretted acoustic/electric ubass with some help from the baritone guitar Michael is playing. He usually plays bass in his bands but in Bokanté he plays both bass/ubass and baritone guitar on the studio album ”Strange Circles” that will be released in June 2017. [Pre-order available here] On the live shows he will play the baritone guitar exclusively. He recently said in an interview for Scotts Bass Lessons that he wanted to have the chance to play with some of his favorite bass players. On the upcoming tours the bass chair will be filled by different bass players. See and read more here.

Please have a listen…and a look. I hope they will come to Sweden someday soon so I get to hear them live!

PS. One of the percussionists (André Ferrari) is from Sweden. He’s also featured in the video I referred to in the beginning of this post!

PS2 Please check out Ariane Cap (she’s in the picture at the top of the post) and the great book she has written about music theory with a bass player focus!

Detta bildspel kräver JavaScript.

 

Some quotes about Bokanté:

“One of the more versatile groups on the planet right now”

-Rolling Stone

“A barnstorming, groove-centric instrumental act with a rabid fan base… if the name doesn’t ring a bell, it’s probably just a matter of time”

-The New York Times

“Big, rich and funky.”

NPR Music

“Stands out with a furious commitment to defying musical categories.”

-LA Times

“Sounds like one spotless collection of intricate musics performed by just one very skilled, albeit extended, band.”

Yahoo Music

“Thinking person’s feel-good music.”

-Downbeat

“A big, happy band of skilled musicians whose tunes are both complex and easy to dance to.”

-LA Weekly

Build your own solid body Ubass – all you need to know | Phase 2 – Body Setup 1

DIY UBassKIT Video 2-upload-teaser

Hi,

It’s time for Phase 2!
It will focus on the setup of the body and first up is strap buttons and thumb wheels for the bridge.

The PDF instructions I compiled from info at kalabrand.com (no longer available) can be downloaded on this link: U-Bass Kit Assembly Instructions compiled by playubass-SMALL

Next up: EQ/Pre-amp, output jack, volume/tone knobs and back plate!

I have also done a video that shows you how to change the EQ/Pre-amp in a solid body ubass!

Read more about previous steps in this DIY project in posts that can be found on the DIY-page!

Until next tine: Have fun – play Music!

/Magnus

Build your own solid body Ubass – all you need to know | instructions and phase 1

ubass-finished body+neck
5-string fretless. Body finish done with neck in neck pocket

Hi,

I’m finally done with phase 1 of my ”Build your own ubass” series. In this series I will build a Kala Solid Body Ubass. All the parts are from the Kala web shop!

In the first phase 1 worked with the finish of the body. As you might have seen on my instagram or facebook page I wanted to get close to the finish of my Bakithi Kumalo signature solid body 4-string fretless. I’m quite happy with the result and learned a lot in the process!

All associated blog posts regarding this project will be accessible on the DIY page!

I will go into the details about the first phase, but first, let’s check what you need to build your own ubass.

Step 1 – Buy the parts
You need to decide what model you want to build. There are four options:

  • 4-string fretted
  • 4-string fretless
  • 5-string fretted
  • 5-string fretless (the one I’m putting together!)

When I got the parts to my UBass there was a kit option with all the parts included. This is not available anymore so you need to add all the parts yourself at the Kala Web Shop.

Here’s a PDF with all the info about what’s needed for a Solid Body fretless 5-string:
Build your own Solid Body Kala Ubass – parts needed

Step 2 – Decide on the body finish
I choose to mimic the look of my Bakithi Kumalo signature ubass and went for a so called ”tar” finish. I will not go into detail of the different products I used since these will differ from country to country. It is of course possible to do whatever you want with the body finish!

Please send me pictures of YOUR custom UBass finish so we can show them to the world! 🙂

Step 3 – Put the ubass together
I have compiled a guide from the instructions you could find on the previous version of the kalabrand.com web page.

Download my PDF instructions below:
U-Bass Kit Assembly Instructions compiled by playubass

I will guide you step by step – phase by phase through this process in my series of blog posts!

First up: Body finish!
This first phase is documented in the movie below!

Good luck with the making of your own solid body ubass!

/Magnus

Over the rainbow…new track from ”Speaking UBass” vol. 1

Over The Rainbow-bandcamp-2-big

Hi,

Its Christmas and time to release the third track from the first ”Speaking UBass” album!

This time it’s a track that I started working on quite sometime back! I have always loved the classic song from The Wizard of Oz, ”Over The Rainbow”. I love to sing it and thought I should do something with my voice and the ubass. I decided to start with the lesser known verse and wrote a ubass chord arrangement using mostly arpeggios but also some ”regular” chords. Playing this in tune was quite a challenge and took a while to learn and record.

Anyway, I hope you have a great Holiday and that you will enjoy my ubass version of this classic song!

 

Model comparison chart – Kala Ubass acoustic/electric models 2015

model-comparison-chart

Hi everyone!

I get a lot of question about different Kala Ubass models so I decided to make a little chart. In this first chart the focus is the acoustic/electric models.

If you download this pdf The-Kala-Ubass-acoustic-electric-models-2015 you can also click on different model names to get to the corresponding details page of that model at kalabrand.com

All the best, Magnus

NEW DIY Video! How to change the preamp in a solid body UBass

How to change the preamp in a Kala Solid Body Ubass

 

The second video in my DIY series is finally done!!! It sure took a while to get it done. Mainly because the lack of time.

This spring have been extremely busy. Besides my work as a music teacher and IT-pedagogy I have toured Sweden and just got back from a trip to Brazil…

Anyway, now it’s done! I hope it will be informative and could work as a guide if you want to perform this DIY!

If you have any questions please drop me a line at: ubasslessons@gmail.com

To help out even more please feel free to use this guide in PDF-format!

The next DIY video will be the first in a series of post. This is quite a big project in probably ten parts. More about this soon!

/Magnus