The ebook is packed with amazing features that make learning about the Ubass a new and exciting experience! I will go through these features in detail in a future blog post but for now, let’s have a quick look:
Picture gallery’s that enhances the reading experience
Multi-angle videos that show you how to get the best out of your Ubass playing
Highlighted words are clickable and explained in pop-ups or in the extensive word list. (I bet you can spend hours just navigating the word list alone!)
End of lesson quizzes – check and see if you have understood the lesson you just worked with
Marking text and make notes – find something especially interesting? Mark the text/or make a note – these are collected and can be browsed and/or searched
One day in July I got the news that one of my bass heroes would come to Sweden for one gig. We are both Kala Ubass Endorsees (which is pretty amazing to start with) so I managed to hook up with him through the company.
The meeting/concert was in the southern parts of Sweden and I traveled there with two of my Kala solid body ubasses.
Who is Abraham Laboriel?
Some of you may know about him and some don’t so I’ll give you a brief background here.
Let’s start with some of the artists he has worked with as a session musician in Los Angeles:
Abraham Laboriel Sr. (born July 17, 1947) is a Mexican bassist who has played on over 4,000 recordings and soundtracks.Guitar Player Magazine described him as ”the most widely used session bassist of our time”. Laboriel is the father of drummerAbe Laboriel Jr. and of producer, songwriter, and film composer Mateo Laboriel.
Meeting Abraham was such a joy. He’s a wonderful, warm human being with such a big heart. Hearing/seeing him play live has knocked me every time. He is an ”all in” performer that really speaks to you from heart to heart. He has been in my musical life for quite some time. I told him about hearing/seeing him at concert in the mid 80’s and even in the town where I work now on a gig probably more then 10 years ago.
We started talking and I showed him what I have done on my blog, video lessons and recordings. What was supposed to be an interview became a nice chat about music and life, almost as we had known each other since the mid 80’s…
I really hope we can meet again soon and continue of talk and I might even get around to ask him my prepared questions! 🙂
As I wrote earlier my two solid body’s were on the trip with me and I wanted to show Abraham these. You might have picked up that I have experimented with ”new” strings on these two 5-strings. (I will do a proper blog post about these tests soon!) Anyway, Abraham started playing on the fretted one, unamplified, and after a while I grabbed the fretless one and join in on the quiet jam. It sure was nice to get to play with one of my bass heroes!
Its Christmas and time to release the third track from the first ”Speaking UBass” album!
This time it’s a track that I started working on quite sometime back! I have always loved the classic song from The Wizard of Oz, ”Over The Rainbow”. I love to sing it and thought I should do something with my voice and the ubass. I decided to start with the lesser known verse and wrote a ubass chord arrangement using mostly arpeggios but also some ”regular” chords. Playing this in tune was quite a challenge and took a while to learn and record.
Anyway, I hope you have a great Holiday and that you will enjoy my ubass version of this classic song!
From the newsletter: Education material for the Ubass
In this next issue of the newsletter I will finally let you try out a portion the educational material I’ve been working on for quite some time now.
These so called Lesson Packs is aiming towards different topics and since I haven’t been able to play with my right hand because of a hand injury (more in the newsletter) the first thing up is part of a lesson focusing on the hammer-on and pull-of techniques from a future Lesson Pack 3 ”Etudes and dexterity” lesson.
In the lesson you will be able to try out the interface. I will start by releasing these Lesson Packs in the iBooks format.
This format is available only via the AppStore/iBooksStore so iPhone, iPad and Mac users (Yosemite 10.10 and up) will be able to uses these.
To check ”the market” I have made a little survey trying to find out how many of you that have access to any of the above mentioned platforms. If demand is high, I might put time into transforming/developing versions of these lesson packs for other formats/platforms.
Please fill in this survey (will take 1-2 minutes tops!)
The first lesson pack to be released is Lesson Pack 1 ”Basic techniques”.
I’m still in the process of making the video portions of these lessons, and it takes a lot of time to get these right. Can’t yet let you know about an exact date for the release but my goal is the beginning of 2016.
In the end of May 2015 I did my first ever trip to Brazil! I have been listening to Brazilian music since the early 90’s and have played Brazilian music for quite some time too. See previous posts with a Brazilian content: Post 1 | Post 2 | Post 3 | Post 4 | Post 5 | Post 6 | Post 7 |
Finally being able to travel to Brazil was a very big thing for me!
The main reason for this trip was to visit schools and find out ways to set up some kind of exchange program between the school where I work in Sweden and schools in the capital city of Brazil, Brasilia.
I had a really busy travel plan with several visits booked for almost everyday of the eight-day trip. These visits were to different schools with arts and music focus. I’ll try to write more about this later. We’ll see what happens with these ”might-be” exchanges. It’s interesting to see how it unfolds and evolves.
Besides these visits I also got to play some Music! With me on this trip was my colleague, Eva Stenström. We had prepared some songs we could perform on only bass and vocals. To make the travel easy I brought my spruce Kala Ubass and the new Phil Jones Bass ”Double Four” amp I just bought just before the trip. Traveling with this setup was very nice and I was able to get both the UBass and the amp into the cabin of each flight we did.
Me and Eva did a few workshops involving playing, different vocal techniques and I also did a short live looping workshop featuring the TC Electronic Ditto looper. If someone is interested in knowing more about live looping with the ubass (and other instruments) please let me know and I could make a series of posts on the subject! Send an email to email@example.com [Older post featuring Ubass and the ditto looper!]
We met a lot of really great musicians and teachers and students at all three schools we visited. A very big thanks for taking such good care of us. Extra big thanks to: Lucas at Escola de Musica, Henrique at Escola de Choro, Antenor and Alexei at University of Brasilia, William and Barbara for giving us a great tour of Brasilia!
Besides playing as a duo we also got joined bit different Brazilian musicians and also got the change to sit in on a concert and also do a ”club” gig with two great Brazilian musicians that will come to Sweden this fall. I hope we will be able make some more music together. Stay tuned!
There isn’t that many recorded videos from this trip but I will let you hear some music bits and pieces. See this video! There is also a gallery of photos from our workshops, concerts and some scenic ones too!
It was a great trip with lots of interesting meets with universal language of music as a great common ground! Thanks to everyone that made our first trip so fantastic!
Some links you check out!
Lucas de Campos, guitarist and professor at Escola de Musica One of his projects (Text in Portuguese)