Yay! Will be a great new signature ubass for Nik West!
I’m very exited to finally be able to share this song! I have worked on my album project on and off since 2012 and this tune especially has been very important to me. It has seen its ups and downs, I have had copyright issues and other problems that have delayed the release but now it’s ready to share with you!
First a bit of the back story…
My love for Brazilian music started in the early 90’s. I studied music at different music schools in Sweden and was turned on to the lovely and colorful music of Brazil. The melodies, rhythms and harmony, everything fits together so nicely and makes a music so complete and wonderful to my ears and heart.
In 2010 I got to know Nelson Faria and his family when he first came to Sweden to be a guest professor at the Orebro University. I got to play and study with him and more amazing musicians/teachers from Brazil.
I was the recording engineer of the first Tavares – Faria Duo record ”Na Esquina De Mestre Mignone” that can be found on cdbaby.com. During the recording sessions we had some time left and did a quick recording of one of my favorite Brazilian songs, Dindi. I overdubbed a bass part with my fretless spruce Kala Ubass
I started to record songs in 2012 for my first album featuring my first Kala UBass.
I decided to have jazz and Brazil music as a focus and ”Jag vet att vi ses snart igen/Manhã De Carnaval” is one of the songs I have recorded. I have already pre-released a few other songs from this project on bandcamp.com please go there and have a listen if you haven’t already.
I think the version of ”Jag vet att vi ses snart igen/Manhã De Carnaval” is really special because of the bi-lingual duet I perform with the amazing Brazilian vocalist Ilessi. Please check out her music on Facebook. I met her when she was in Sweden as a part of an exchange program between one of the Universitys in Rio de Janeiro (UniRio) and the University of Orebro here in Sweden. I studied at this University back in the 90’s and have also worked there as a teacher.
Illessi recorded her vocal part at Estúdio Tenda da Raposa in Rio de Janeiro engineered by Carlos Fuchs. The rest of the song is recorded here in Sweden by me. Both in my studio and at a friends house. I’m very happy and proud of my fellow musicians in this recording. They have all contributed in such a great and musical way.
Big, big thanks to Ilessi, Tommy, Daniel and Lasse!
I really hope you will love our version and that you can feel the all the love put into this project. I’m so glad it can finally see the light of day!
Please have a look at the video that features this song and feel free to share it around!
The song can be bought at several digital outlets as (Apple iTunes, cdbaby.com, Google Play…) and can also be streamed (Spotify, Tidal, Google Play, Pandora, YouTube Music). Some of these services might not be available in your country but someone of the hopefully will!
Personel on the recording of ”Jag vet att vi ses snart igen/Manhã De Carnaval”
Magnus Sjöquist, vocals and kala ubass
Tommy Nilsson, accordion
Daniel Björnmo, acoustic guitar
Lasse Fhager, percussion
Buy (or stream) the song from any of these services:
…and 24 more services 🙂
Musik är livet! / A música é vida! / Music is life!
My first ebook was released on the iBooks Store in January and for PC/Android in April.
There is a great way to read the ebook if you have the ePub version (PC). Here’s a quick how to.
Read ePub with Google Chrome on a PC with support for videos and word list
- Open Google Chrome (or download if you haven’t got it on your computer yet).
- Go http://www.google.com/chrome/webstore
- Search for Readiator
- Add ePub (drag to window or click + and navigate to Learn to play the Ubass – Basic Techniques) It will take a while to load!
- Click the icon to start reading. Videos should play and the word list will work.
- Your done, happy learning!
The Lesson links are not clickable in this version. I will remove these false links or try to make them work in the next update!
Although this method will work on a MAC (OSX) i do recommend using iBooks if you are a MAC or iPad/iPhone user!
The Chrome extension will even keep tabs on where you were last time you used Readiator.
You can find the different versions here:
Next week I will release a very special song. Its meant to show my love for Brazil and Brazilian music. It’s a bi-lingual duet of one of the most famous Brazilian songs.
Please have look at this studio sessions teaser and prepar for the video premiere next Friday, July 7.
Can hardly wait letting you see and hear the whole song and let you know more about it!
The pictures above are from my trip to the NAMM show in Anaheim, CA back in January. I will do a featured blog post about the show but haven’t had the time to do that yet but it will come! So why are these pictures in this post about a ubass sighting? Well, Mr Michael League was one of several featured bass players at this years Bass Bash. He played with one of his bands FORQ. They played a great set and it was great to once again hear Michael play. I was at a show in Stockholm back in 2015 when he was there with his most famous band Snarky Puppy. I have featured Snarky Puppy before in a Ubass Sightings blog post.
This post will feature yet another of Michaels bands, Bokanté! This band has a really nice lineup with three guitar players, three percussion players, a pedal steel player and a lead vocalist…and a (u)bass player of course!
Here’s som info about the group from musicworksinternational.com
The word bokanté means “exchange” in Creole, the language of vocalist Malika Tirolien’s youth growing up on the Caribbean island of Guadeloupe. Now living in Montreal, she stands among 8 musicians from 4 continents, each one accomplished in their own right and well versed in music far beyond that of their point of origin. Two-time Grammy award-winning guitarists Michael League, Chris McQueen, and Bob Lanzetti (all from Snarky Puppy), percussion legend Jamey Haddad (Paul Simon, Sting), pedal and lap steel virtuoso Roosevelt Collier (Lee Boys, Karl Denson), and unplaceable percussionists André Ferrari (Väsen) and Keita Ogawa (Banda Magda, Yo-Yo Ma) come together to create a diverse ensemble rich in groove, melody, and soul.
In the song ”O La” you can hear and see that the low end is handled with a fretted acoustic/electric ubass with some help from the baritone guitar Michael is playing. He usually plays bass in his bands but in Bokanté he plays both bass/ubass and baritone guitar on the studio album ”Strange Circles” that will be released in June 2017. [Pre-order available here] On the live shows he will play the baritone guitar exclusively. He recently said in an interview for Scotts Bass Lessons that he wanted to have the chance to play with some of his favorite bass players. On the upcoming tours the bass chair will be filled by different bass players. See and read more here.
Please have a listen…and a look. I hope they will come to Sweden someday soon so I get to hear them live!
PS2 Please check out Ariane Cap (she’s in the picture at the top of the post) and the great book she has written about music theory with a bass player focus!
Some quotes about Bokanté:
“One of the more versatile groups on the planet right now”
“A barnstorming, groove-centric instrumental act with a rabid fan base… if the name doesn’t ring a bell, it’s probably just a matter of time”
-The New York Times
“Big, rich and funky.”
“Stands out with a furious commitment to defying musical categories.”
“Sounds like one spotless collection of intricate musics performed by just one very skilled, albeit extended, band.”
“Thinking person’s feel-good music.”
“A big, happy band of skilled musicians whose tunes are both complex and easy to dance to.”
The good news that now there’s a new source of uBass information you can sign up for. The newest entry is from none other than Kala themselves. They’ve been sending out an Ukulele-centric newsletter for years. Now they’ve decided to do a uBass-centric newsletter as well. Really, Kala? Just kidding. We welcome the […]
My first ebook, Learn to play the ubass – basic techniques is now available in one more format!
Windows (PC) and Android users can join the Apple (OSX/iOS) users and get a copy of the ebook!
Read about the features here!
You can find the different versions here:
Happy ubass playing!
I have been using products from Gruvgear since 2013 with a focus on their FretWraps. The FretWraps makes it possible to dampen open strings when playing a higher register or simply want to get rid of unwanted string/fret noise. Here’s a video showing some ways I have used the FretWraps with Ubass.
The company has a lot of different products that focuses on transporting your gear to and from gigs and/or rehearsals.
In this review, I will focus on their quite new Gigblade model for Ukulele. The model that fits a acoustic/electric Ubass is called the Ukulele Gigblade, available in two sizes, small (soprano, concert) and big (tenor, baritone and ubass).
The design is made to be carried on the side. Why you might ask? I think the main reason is that you can use it together with a regular backpack.
Most traditional gigbags are designed to be worn like a backpack, the Ukulele Gigblade is not. The design is made to be carried on the side. Why you might ask? I think the main reason is that you can use it together with a regular backpack. I have a Gruvgear Club Bag. They compliment each other perfectly and make it possible to get both hands free so I can carry even more in one go! (See pictures in the gallery below). (I will do a review of the ClubBag in a later blog post!) You can also quite easily have a regular gigbag (ubass or full size electric bass) on your back and then the Gigblade on the side!
Back to the Gigblade. The design is well thought out, zippers and padding have a very nice quality and the overall feel is very robust. Besides the big compartment for the actual Ubass there is a pocket in the ”lid”, for straps, a cord of maybe a tablet.
What about the top pocket? It is a design thing and really makes the gigbag stand out from the rest of the crowd! It works best if you don’t pack this pocket too heavy since the weight distribution will be a bit strange if you do. (The acoustic/electric Ubass is quite light as you know!)
It is also possible to fit a solid body ubass (or TWO!) in the Gigblade
It is also possible to fit a solid body ubass (or TWO!) in the Gigblade. I managed to fit two 5-string solid body ubasses in the case. By removing the foam bar and using a towel (or something similar) as a wall in-between the ubasses it workes out really nice!
Please check these gigbags out. They are great options to consider for protecting and lugging your precious ubass around!
Different options for ubass cases and gigbags can be found here!
Last summer i released a video where I performed a version of a classic Swedish folk song, ”Visa från Utanmyra”. I also released a video lesson but it was only available for my newsletter subscribers. It’s now available for everyone! Have fun playing this great and beautiful melody and bass part!
Link to Video lesson page!