My parents bought my first ubass at a music store in Honolulu, Hawaii while visiting the islands. I had not been able to try one beforehand. It only took me a very a few moments getting acquainted with the short scale length and rubbery strings. After that I have gotten more and more in love with the feel and sound of the ubass. Hope you have or will get the same feeling for these amazing instruments! Read more about my first encounter here!
I’m very exited to finally be able to share this song! I have worked on my album project on and off since 2012 and this tune especially has been very important to me. It has seen its ups and downs, I have had copyright issues and other problems that have delayed the release but now it’s ready to share with you!
First a bit of the back story…
My love for Brazilian music started in the early 90’s. I studied music at different music schools in Sweden and was turned on to the lovely and colorful music of Brazil. The melodies, rhythms and harmony, everything fits together so nicely and makes a music so complete and wonderful to my ears and heart.
In 2010 I got to know Nelson Faria and his family when he first came to Sweden to be a guest professor at the Orebro University. I got to play and study with him and more amazing musicians/teachers from Brazil.
I was the recording engineer of the first Tavares – Faria Duo record ”Na Esquina De Mestre Mignone” that can be found on cdbaby.com. During the recording sessions we had some time left and did a quick recording of one of my favorite Brazilian songs, Dindi. I overdubbed a bass part with my fretless spruce Kala Ubass
I started to record songs in 2012 for my first album featuring my first Kala UBass.
I decided to have jazz and Brazil music as a focus and ”Jag vet att vi ses snart igen/Manhã De Carnaval” is one of the songs I have recorded. I have already pre-released a few other songs from this project on bandcamp.com please go there and have a listen if you haven’t already.
I think the version of ”Jag vet att vi ses snart igen/Manhã De Carnaval” is really special because of the bi-lingual duet I perform with the amazing Brazilian vocalist Ilessi. Please check out her music on Facebook. I met her when she was in Sweden as a part of an exchange program between one of the Universitys in Rio de Janeiro (UniRio) and the University of Orebro here in Sweden. I studied at this University back in the 90’s and have also worked there as a teacher.
Illessi recorded her vocal part at Estúdio Tenda da Raposa in Rio de Janeiro engineered by Carlos Fuchs. The rest of the song is recorded here in Sweden by me. Both in my studio and at a friends house. I’m very happy and proud of my fellow musicians in this recording. They have all contributed in such a great and musical way.
Big, big thanks to Ilessi, Tommy, Daniel and Lasse!
I really hope you will love our version and that you can feel the all the love put into this project. I’m so glad it can finally see the light of day!
Please have a look at the video that features this song and feel free to share it around!
The song can be bought at several digital outlets as (Apple iTunes, cdbaby.com, Google Play…) and can also be streamed (Spotify, Tidal, Google Play, Pandora, YouTube Music). Some of these services might not be available in your country but someone of the hopefully will!
Personel on the recording of ”Jag vet att vi ses snart igen/Manhã De Carnaval”
Magnus Sjöquist, vocals and kala ubass
Tommy Nilsson, accordion
Daniel Björnmo, acoustic guitar
Lasse Fhager, percussion
Buy (or stream) the song from any of these services:
Last summer i released a video where I performed a version of a classic Swedish folk song, ”Visa från Utanmyra”. I also released a video lesson but it was only available for my newsletter subscribers. It’s now available for everyone! Have fun playing this great and beautiful melody and bass part!
The ebook is packed with amazing features that make learning about the Ubass a new and exciting experience! I will go through these features in detail in a future blog post but for now, let’s have a quick look:
Picture gallery’s that enhances the reading experience
Multi-angle videos that show you how to get the best out of your Ubass playing
Highlighted words are clickable and explained in pop-ups or in the extensive word list. (I bet you can spend hours just navigating the word list alone!)
End of lesson quizzes – check and see if you have understood the lesson you just worked with
Marking text and make notes – find something especially interesting? Mark the text/or make a note – these are collected and can be browsed and/or searched
One day in July I got the news that one of my bass heroes would come to Sweden for one gig. We are both Kala Ubass Endorsees (which is pretty amazing to start with) so I managed to hook up with him through the company.
The meeting/concert was in the southern parts of Sweden and I traveled there with two of my Kala solid body ubasses.
Who is Abraham Laboriel?
Some of you may know about him and some don’t so I’ll give you a brief background here.
Let’s start with some of the artists he has worked with as a session musician in Los Angeles:
Abraham Laboriel Sr. (born July 17, 1947) is a Mexican bassist who has played on over 4,000 recordings and soundtracks.Guitar Player Magazine described him as ”the most widely used session bassist of our time”. Laboriel is the father of drummerAbe Laboriel Jr. and of producer, songwriter, and film composer Mateo Laboriel.
Meeting Abraham was such a joy. He’s a wonderful, warm human being with such a big heart. Hearing/seeing him play live has knocked me every time. He is an ”all in” performer that really speaks to you from heart to heart. He has been in my musical life for quite some time. I told him about hearing/seeing him at concert in the mid 80’s and even in the town where I work now on a gig probably more then 10 years ago.
We started talking and I showed him what I have done on my blog, video lessons and recordings. What was supposed to be an interview became a nice chat about music and life, almost as we had known each other since the mid 80’s…
I really hope we can meet again soon and continue of talk and I might even get around to ask him my prepared questions! 🙂
As I wrote earlier my two solid body’s were on the trip with me and I wanted to show Abraham these. You might have picked up that I have experimented with ”new” strings on these two 5-strings. (I will do a proper blog post about these tests soon!) Anyway, Abraham started playing on the fretted one, unamplified, and after a while I grabbed the fretless one and join in on the quiet jam. It sure was nice to get to play with one of my bass heroes!