Time for some new music! Well, actually it’s not really new. The version you’ll see/hear on my YouTube Channel is new though 🙂
On Friday November 16 a new country duo: ”M&M’s Honky S***’ played their premiere gig! We played at a ‘one-night-only’ festival in Orebro, Sweden called ‘Kulturnatten 2012’. There were 100 bands playing 8 different venues. The shows was only about 15 minutes so I guess you could call it ‘showcase’-gigs. Anyway, we played a small and intimate coffee shop, Café Deed as the last band that evening. In the video featured here we had the pleasure of a special guest on snare drum, good friend Mats Nyström. Thanks Mats!
We decided to do a tribute to the great guitarist/actorJerry Reed. Read more about him here. Marcus Måttgård that plays guitar in the duo is a big fan and now I am too! Please check out some of Marcus guitar playing on his YouTube Channel!
If you are familiar with this blog I guess you’ve heard about the CD project I’m working on: ‘Speaking UBass!?’. I’m featuring different musicians and styles and play UBass on all of the tracks! (I might sneak in one or two other basses too…). This duo/trio will definitely be featured! Stay tuned for more info here.
A while back I jammed/rehearsed with a dear old friend, guitarist Mattias Pettersson and drummer Hannes Nordgren. (You have heard Hannes before!) I wrote about this trio in an earlier post. I managed to record some audio (and video) that day. I hope we will play more again soon. In the mean time I’ll let you hear/see just a little bit from a song we worked on.
Please help me out in the Bootsy Collins: Funk Bass In Your Space Competition! This is not all UBass but it all starts out with me jammin’ ‘with’ Ron Carter on my Kala UBass fretless! After that there are a couple of different bass players that I jam along side! Steve Bailey, Bootsy Collins and Victor Wooten are a few of them! Besides my acoustic UBass I play a fretless Ibanez Gary Willis 5-string and a Ares 5-string fretted (Custom built for me back in ’96!)
Click the link below, listen and them please vote for me!
Time for part three of my string test and a demo of the first part of the new song Jam Afrique (working title). See these earlier posts for some background info. Post 1 | Post 2
Besides the YouTube video below I also uploaded some versions with less instrumentation (and maybe a bit better sound) on my Soundcloud.
Soundcloud info.
The only thing I have done with the sound during mixing is some EQing. (The last two sound bites have no EQ!)
Update!
The recording path is as follows:
Track 1: UBass into Sheer Acoustic Headway EDB-1 then DI out to Universal Audio Apollo (sound card with built in digital mixer and effects from their UAD family).
Track 2: AKG C414 condenser mic.
There are four bass parts. 1. Regular bass part
2-3. African inspired single string riffs
4. Bass melody
Bass parts 1 and 4 is recorded with both line and mic while parts 2-3…
Test report
I have come to the following conclusion based on the recordings. I guess I like both string types but they do have some things that sets them apart.
Pahoehoe
I have played these strings (that come as stock/standard strings on new Kala Ubasses) for more than two years. I have actually been using the same strings the whole time! I did buy a spare set early on to be safe and prepared for emergencies… Since the strings are solid plastic rubber they are unlikely to break and there are no place for sweat and dust to ‘creep’ in. (As with regular wound strings). I have not felt the need to change them. I have however felt that I should have restringed and rewound them to get rid of the extra turns of string that I got. Especially on the A-string post.
One more reason for the strings to be able to stay on for so long is that I felt it would be hard to part from playing my beloved UBass for that time it would take the strings to ‘settle in’ 🙂
This is also one thing that sets the strings apart. There are quite a lot of tuning to be done in the beginning but once they settle in you’re fine. As I wrote earlier restringing one or two strings, stretching them a bit more, would have been a good thing to do! I know there are players that have done this a few times and then they felt they stayed in tune better. More about this in the Thunderguts section.
Ok. How do I feel about the sound and playability of these strings? Well, I have got quite used to the feel of the Pahoehoe strings under my fingers. I took a while to get used to the rubbery feel – well, it’s almost rubber so that alright I guess 🙂 I think you should try to ‘forget’ about how it feels playing this or that bass and/or strings. If you instead try to do the best of this ‘new and maybe strange’ feeling you’ll soon be on the way to make great music with these strings.
Thundergut
I have had these strings on my acoustic UBass for just a couple of weeks and decided to compare them to my ‘trusty’ Pahoehoe strings. There are a few differences. First of all. They are not that rubbery and the tension is a bit higher. This is on the plus side because of a couple of things. First they don’t take as long as the Pahoehoe strings to settle in making the switch quite fast. (It only took a couple of days untill the (almost) stay in tune). Another reason I like them is that because the higher tension they have a bit more ‘core’ to the tone. (I will make a video showing this soon!)
On the minus side. The Thunderguts have a ‘sticky’ feel. Especially on the thicker strings. This makes them a bit harder to play. Since I have the fretless version I do want to have the option to do slides and this is a bit diffucult to do when you feel like you get ‘stuck’. I don’t know if this will disappear after some use!? But I have read about other UBassists that have had the same feeling.
I will keep the Thunderguts on for a while longer to try some more playing techniques! Stay tuned!
I decided to do some tests, to compare the ‘stock’ Pahoehoe black polyurethene strings with the Aquila Thundergut strings I’ve just put on my UBass. I started jammin’ [with the Pahoehoe stings on] to a loop featuring African percussion. After recording a couple of tracks I transcribed my jammin’ so I could record the same parts with the Thunderguts. I haven’t yet been able to do that recording (but will do as soon as possible!) so I’ll show you the written music first. If you want, why not try to play it before you hear it! It could be a great reading experience 🙂
If any of you are interested in lessons about how to read rhythms like these please let me know! ubasslessons@gmail.com
It’s four tracks of Ubass total. A regular bass part, two harmony parts and a melody. Besides that there are the percussion loops and a choir part. (I might add a drum set part too…)
Stay tuned for a video with the song played first with the black Pahoehoe strings and then the Thunderguts. I will also share some thoughts about how I feel the differences in their sound are!
So please stay tuned for ”Trying Aquilas Thundercut strings on my fretless Kala UBass” | Part 3 Here’s part 1. [Update: Link to Part 3!]
Using a tuner and some YouTube videos as help as I string up!
FINALLY!
Today I finally got around to try out the Thunderguts by Aquila! I will do a more in-depth comparison between the original stock Pahoehoe strings and these new (for me anyway) white nylon-ish strings.
One thing I do find is that the feel of these strings are quite different. I have just only put the Thunderguts on and will wait a day or so to let the strings settle a bit more before I do any more testing.
Please stay ‘tuned’ for more as soon as I have tried them some more, doing test-recordings and so on!
A while back I did a blog post about rehearsing with musicians from São Tome e Principe for a couple of outdoor shows. We did the shows in the end of August and after those I managed to invite Oswaldo, Guilherme and PA to my home studio for some jammin’.
The song featured in the YouTube-clip below (‘Mêcê’ (Desire) was one of the songs we played. The song is written by Oswaldo and Guilherme. The other song ‘Every day’ (Written by Guilherme) will hopefully end up on the upcoming Ubass CD! I’m overdubbing some parts and will start mixing that song soon!
Although the take of ‘Mêcê’ wasn’t perfect we sure had so much fun playing together and I hope this transcends through the computer screen!
A big thank you to Oswaldo, Guilherme and PA for those great musical moments in my studio that late August evening!
I have some video from the actual shows too. I’ll post this later. Stay tuned for more!
Guilherme de Carvalho, vocals and guitar
Oswaldo Santos, vocals and lead guitar
PA Larsson, djembe
Magnus Sjöquist, fretless kala ubass
Yesterday I got a nice package from the US. It was a string set of the super cool Pahoehoe Dreads! I’m really happy that the maker of the wonderful ukulele basses (see the beautiful koa bass above) that the Kala Ubasses originates from have noticed my love for these instruments and the joy of playing them! Hope I’ll be able to play one of his instruments soon!
Once again a big thank you to Owen and Janet for acknowledging my ubass passion!
Welcome to the 25th ”Jammin with my Kala UBass” video!
In April 2011 I got to play with the amazing guitarist Frank Vignola and his trio. I have shared one video from that day in a previous post. [Jammin’ with my Kala UBass | 7]
This is the first song we played together. I had met the trio during a workshop at a Music University in Sweden just a few days before and they invited the musicians to come and play with them. I don’t live that far away so me and a friend went there…
During the intermisson we decided that we should play two songs together about 15 minutes into the second set!
So I got called to the stage to ‘sit in’ with them…Great fun 🙂
[Later that year I met Vinny in NYC and we had a great time going to Birdland and a to a jam session at a great little place in East Village called Mona’s! Thanks for that Vinny!]